Step 2) Generate Backup Catalog in target using source backup files hdbbackupdiag -generate -dataDir -logDirs -d
In this blog, source database is BP1 tenant on BHP database and Target is BTX tenant on BHQ database. Tenant Database is only considered for this copy/recovery. Source and Target Database are in same version. Create backup catalog in target DB with backup files from Source DB. Copy Backups (Data and at-least 1 log backup) from source to target server. In this blog, I am suggesting a solution for this case. This option does not work in HANA as we need Backup Catalog to be available if we want to recover HANA DB with Complete Backup and Diff Backup. Lets take an analogy of the same scenario with MS SQL Server, where we can restore the complete backup of the source DB in the target with No Recovery option a day prior to migration or refresh, and at the time of migration/refresh, we can take a diff backup and recover the target DB, which brings the data to most recent point in time without spending too much time. But if we want to recover to recent point in time, we need to trigger a Complete Backup, copy the backup file to QA host and then Recover that, and this is more time consuming. If you want to examine a book for possible rights licensing, please see Rights & Permissions.Hello !! Have you ever thought of an alternative for System Replication method for HANA DB host migration, or have you ever had a requirement to perform Copy of HANA DB using Backup/restore method with very low RPO and RTO? Then this blog is for you.īackground :- Basically, when we want to Copy a Production DB to QA DB, we are mostly left with the option to recover QA DB with a Complete Data Backup of the Prod DB which might be a few days older. (If you want to examine a book for possible course use, please see our Course Books page. Media & bookseller inquiries regarding review copies, events, and interviews can be directed to the publicity department at or (608) 263-0734. She is a teacher of Irish danceĬertified by Irish Dancing Commission, Dublin. Flanagan is associate professor of theater at St. Resource for dance enthusiasts and researchers alike.”-John Cullinane, retired historian of Irish dance, University of Cork No other city, either in Ireland or North America, has been so well documented. “Flanagan’s book is meaningful, insightful, and a significant contribution to the field of Irish dance history. Mark Howard, founder and director of Trinity Academy of Irish Dance “Kathleen Flanagan has long been a teacher and advocate of Irish dance and one of the most important voices to share the history of Chicago’s role in the development of this beautiful art form.” #Step intime series
Moe Meyer, Series Editor, University of New South Wales, Sydney This fusion of the global and the local is of relevance not only to those interested in Irish dance, but also to dance history and performance studies in general.” “Flanagan has constructed one of the few local histories ever written on any form of dance in diaspora. Surrounded by and intersecting with a unique and complex set of cultural and political influences, Irish Americans in Chicago took the lead in innovations within the dance form that eventually led to such groundbreaking productions as “Riverdance” and “Lord of the Dance.” Flanagan takes the reader on a journey that is distinctly Irish yet unmistakably American.
Performances that contributed to making Chicago an international center for Irish dance. From the first appearance of step dancers at Chicago’s 1893 World’s Columbian Exposition to the emergence of world-renowned Chicago performers and choreographers such as Michael Flatley and Mark Howard, she depicts the teachers, schools, and Kathleen Flanagan gives a fascinating account of the art form in Chicago, the city that is currently one of the global centers for Irish dance practice. In this first detailed history of Irish dance in the Irish diaspora, In the melting pot of America, Irish dance came of age in Chicago UW Press - : Steps in Time: The History of Irish Dance in Chicago, Kathleen M.
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